|“Knotted Stones”, 2014. Watercolor on paper, 22x30in.|
|“Interlaced Shale”, 2014. Watercolor on paper, 22x30in.|
These two pieces depict separate, imagined stone-binding processes: material considerations that link solid materials sequentially, building a solid, wall-like option as well as a permeable, net-like option. Both consider masonry as a subject; the hardness of stone representing the real, while the cord alludes to the process, the transformation, and the human hand.